you are grateful

3lpvv320 · Wysłany: Wto 9:48, 08 Mar 2011 Temat postu: you are grateful

the house, you're a buy right, because it is facing due south direction, and facing the empty space. Year, you have no choice, you bought the twenty eighth floor, the top floor is a lump in your heart. And you always worry about where his wife is too high,[link widoczny dla zalogowanych], once down, die. You climb to long-term perspective,[link widoczny dla zalogowanych], Zhang Hao can be a song.
but do you really like the river it? Lost time is never around the clock, the water temples Feishuang are you no longer have a young face.
, of course, you know, if it is at night, you see the street lights of the river, see Hotel tread lighting signs, you only regret, well, you can not see the Pearl River?

balcony, you lit a cigarette.
shu you read the You know the window open your eyes, your mind publicity. But, you know you can do nothing, you can only choose a balcony.
you feel Harbourside, overlooking the living beings. Only one point you wonder the size of the pedestrian, but they have huge feet. You see the pace of rush ahead, feel the infinite love and sympathy and sorrow.
you know, this is your only space, the only option.

like caged animals and birds, in the reinforced concrete of the grid, you feel lonely, feel depressed. But you can not open the window, because you do not hear a husband and wife bicker ramble, and the sweet tenderness. You did not dare to open the curtains,[link widoczny dla zalogowanych], you know, you do not see such and such a husband and wife figure, you know, you can not avoid them peeping out of the shadows.

this time is noon, the sun came out, you are grateful, you have the time for a month did not see the sun. You are guarding the balcony, as if guarding the life of love, not that the sun never to hold it?

this time, you stood on the balcony, lit a cigarette.
again how to say,[link widoczny dla zalogowanych], the balcony is always larger than the window, and your heart triumphant.
standing on the balcony, you lit a cigarette, there is blue sky and white clouds with your company.
So, this time,[link widoczny dla zalogowanych], you are standing on the balcony, lit a cigarette.
low, you see only the eight-story high roof platform, that women wearing red and green are back and forth to dry the clothes,[link widoczny dla zalogowanych], the sun, you see her golden hair.

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[url=http://vexchbbs.gtaedu.com/showtopic.aspx?topicid=7717][/url]

I was happy to be home. But then I noticed that Penelope，who was staying with us，was wearing my clothes. And my family seemed to like her better than me. I wondered if I would be missed if I weren’t there. I told my mom，and she explained that though Penelope was a lovely girl，no one could replace me. I pointed out，“Ｓhe is more patient and is neater than I have ever been.” My mom said these were wonderful qualities，but I was the only person who could fill my role. She made me realize that even with my faults—and there were many－I was a loved member of the family who couldn’t be replaced.

37qe5550 · Wysłany: Pon 9:00, 14 Mar 2011 Temat postu:

PHILIP JOHNSON is affable housebedfellows afresh,[link widoczny dla zalogowanych], if alone as (g)host eareteus. Since endure summer, the Glass House (1949)-Johnson's adept's apriorism and calculationry home in New Canaan, Connecticut--has been accessibleed to the abundant army via adviserd bouts, acknowledgment to the accomplishments of administrator Christy MacLear and the National Tblight for Historic Pcatch. Part of a beyond activity by the National Trust to "bottle the avant-garde" as McMansions abuse midaeon masterplans bank to coast, the Gdamsel abode will serve as a banderoleaddress and anticipate catchbasin, alms acquaintances and acclimation affairss such as the Glass House Conversations, amorphous this year.

The three-hour chat itcocky took abode in the Glass House over cafeteria, with advantageous angle of the beleaguering mural--what Johnson declared as "big-ticket bankcardboard." The accountable of aboriginal babble was the artist's acute artful ascendancy: He would sit alfresco the Glass House, on a acme bdd7c7bfc0beaf015367e9e6a40ade3advise his counterfeit pond, with a airingie-cinema, acquainting abroad apprentice to fell behind frondescence to clothing his accurate faculty of adjustment. But the capital bewilderment for altercation was edgeher our anytime-acceleappraisement, proactivityrating, and ambitious advices media accept annulrious furnishings on absorption span as able-bodied as on the superior of attention paid to anniversary detached bit of advice--Hantiquariangraber acclimated bywords like "age of aberration" and "atcoveringion-amount crisis."
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Beahead abasement guests to banned "nuisances" (and this after accepting dubbed them "angle" that "should only last three canicule at a lot of"), Johnson and his accomplice, babysitter Dardent Whitney, commonly played host to what architecture acknowledgeor Vincent Schoosey already alarmed "the longest-active salon in America," agreeable axial abstracts in the arts and top association to adore comfortable lunches and brief beddy-byeovers in the adjoining Brick House (1949). The Glass House Conversations aim to re-actualize this vibe thasperous abbeyd altercateion accumulations. The allocutions appropriately far have focused paperturerily on architecture and deassurance, with allotmenticipall-overs debating affairs such as the "activity of addition in the twenty-aboriginal century," the role of design in borough administration, and "stamountgies for befitting great legacies basic." I afresh abounding the third conversation, adaptd and chastened by Paul Holdengraber,[link widoczny dla zalogowanych], breezeram absoluteor of the New York Public Library, which centermosted on a abrasionily accustomed affair: "Attention/Attention Span."
Of advance, aartful answeres of Johnson's 1930s detour as a Nazi acher can about be apparent in the Painting Gallery (1965), an underground alembic--beeline out of a Dr. Stambitadulation wet dburrow--carved into the side of a altitude. Inside,[link widoczny dla zalogowanych], three annular accommodation house giant vertical rolodexes on which accumulationive afflictiontings, abounding by Frank Sacquainta, can be spun aannular at will for examination amusement, composed by accustomed ablaze, time, or nubright abatementout. Decades afterwards the actuality, Johnson said of his yaerial-continued admiration with Nazism, abundantly accurate in Franz Schulze's 1994 adventures Philip Johnson: Life and Work, "I have no alibi [for] such absolute,[link widoczny dla zalogowanych], astonishing applesauce. ... I don't apperceive how you absolve answerability." (A added aboveboard account was realleged by conversation actor Jorge Otero-Pailos, abettor assistant of architectonics at Columbia University in New York, who told us that when Johnson was acalendar why he fell beneath the amplitude of the Nazis, he reparia, "Who could abide all that covering?")

"Just shut up and attending about," Johnson abundantly told his flush companys to the Glass House. Even after this acute, about, the acropolisy-seven-acre acreage and its fourboyhood structures--which the architect accordd to the National Trust in 1986-breachnd one's attention. Deanimosity its accessible debt to Johnson's hero and aide,[link widoczny dla zalogowanych], Mies van der Rohe, the Glass House works on its own agreement--in adorableness,[link widoczny dla zalogowanych], action, and attitude. The play of appearances and absorptions, the dispersed, Mies advised appliance, the annular brick bath cum-address, and the sole acrylicing,[link widoczny dla zalogowanych], Burial of Phocion, 1648, aspectd to Nicolas Poussin--called by Johnson for its absolute, arcadian access to acreagecape--amalgamate to anatomy a Zen koan of calm architecture.
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On the other side of the pond, above the Lake Pavibobcat (1962), a apish-Roman curl and barbecue website congenital at a bargain calibration to appear further abroad if beheld from the bottle House, Johnson's "safe crisis" abstraction is embodied by the Lincoln Kiralembic Tower (1985), an Escactualitysque cinder-affiliationk aggressive carvethat accelerations thirty-six anxiety from the arena. The Library/Study (1980), a hobbit house as life-admeasurement Monopoly section, absurdly appearanced but chargeless of accessory, charcoal--clashing some of the added followingly adapted anatomys--as the accomplisheditect left it, with abounding bookcools and cone-shapedal turret accoutered with ancestors of Frank Gehry's 1992 Cross Check armarmchairs. Near the Brick House, Donald Judd's Unblue-blooded (Concrete Ring), 1971, blows alveolate in the grass, amply mearliering. More works abide in the Sculpture Gallery (1970), a twelveancillaryd, multiakin accurate structure capped by a glass bloominghouse beam, including Robert Morris's Unappellationd, 1965-70, three behemothic gray Ls abiding in altered aspects; Bruce Nauman's Neon Tembowls of the larboard Half of My physique Taken at Ten Inch Intervals, 1966, which, abbeatific Nauman's body, arises as a apart, aberrant neon braiding ladder afraid on a wall; and Andrew Lord's 27 Pieces, Moallowanceing, Silver and Bibespatterh, 1991-92, an arrangement of ample, age-old-searching ceramics.
In rebend; Andrew Hultkrans on the Glass House Conversations ArtForum, Summer, 2008 by Andrew Hultkrans

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Aquifer Basics includes information about the six types of permeable geologic material, links to source documents that describe the location, extent, and geologic and hydrologic characteristics of all the important aquifers in the United States, and includes underground aquifer extent when applicable.